This amazing surreal image called “Waves” is by Quentin Deronzier, a French visual artist & art director based in Amsterdam. Love the concept of vertical angle waves!
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This amazing surreal image called “Waves” is by Quentin Deronzier, a French visual artist & art director based in Amsterdam. Love the concept of vertical angle waves!
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“An R, a B, a G, a mouse and some sound. Six million plus unique visitors shared the hell out of this!” A fun experimental website by Amsterdam-based Pregnant Studios, that only takes a minute to waste…
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Preposterous is a great little film about absurdity, “random short scenes that do not make any sense” by motion & graphic designer Florent Porta. Love the music!
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This is a sci-fi style title sequence, created by Joey Camacho, for CAMP 2016, a creative technology, art and design festival in Canada.
This looks amazing! The super talented calligrapher Seb Lester, shows us how he creates a doodle on iPad Pro with Apple Pencil. This is actually an app called Amaziograph: it applies symmetry to everything you draw. Like this doily-looking doodle in the video.
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Conceptual marketing at its best. This is a humorous ad for Verizon’ new campaign “A Better Network” by advertising agency Wieden+Kennedy with the help of digital artist Albert Omoss. Omoss uses code to create software, and software to create visual art, that is, 4D surreal and psychedelic images and films, either for client projects or self-initiated experiments.
Another notable project by the same artist is the award-winning typographic title sequence for FITC Tokyo 2015.
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Branden Harvey has made the idea of seeking the good in the world his mission. He started a project where each week he shares five of the most hopeful news stories he has come across from around the world in the form of a newsletter, he calls, the Goodnewsletter. The reaction of people has been incredible. Hundreds of people sent in articles, videos, and stories of hopeful things, happening in the world. I have also subscribed to the newsletter. In a world of bad news and negativity all around, there was obviously a need for a hopeful voice to share only good news. As Harvey says: “There’s no shortage of good news in the world. You just have to know where to look.” Love the idea!
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Amazing! Illustrator Christoph Niemann has created the latest cover for the New Yorker but it’s the first time, augmented reality technology is used to animate its cover artwork, with the help of London studio Nexus.
Niemann’s front and back cover illustrations feature a commuter jumping through the subway doors with a tablet and coffee in hand (actually she reminds me of the Statue of Liberty!). When these are viewed through augmented reality app “Uncovr” they come to life, becoming a fully animated cityscape where the subway doors shut and the train travels through New York.
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An interesting project by German photographer Josef Schulz, these are classic American roadside signs with all the branding and text digitally removed. They kind of remind you something, but look really weird without the logos.
‘Josef Schulz always photographs the billboards alongside US highways and in the shopping centres from below, in front of a uniform sky. What these boards refer to lies outside the sphere of the pictures; we can only speculate. In addition, the billboards were also stripped of their writing and logos during postprocessing. Deprived of their message and their function they are turned into empty speech bubbles.’
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